quilting

::Tools For a Quilt Sandwich::

April 27, 2015 By Katie

To make a quilt a quilt you eventually have to baste it through your choice method. I’m a pin baster. I also have OBD (Over Basting Disorder).

If I’ve already over thought my quilting design then I try to land my pins in areas that won’t interfere too much with it.

In my life basting a quilt is a good excuse to clean my floor, have a beer, and soak in a few episodes of whatever TV series I’m currently chain-smoking. I’m having a marathon with Scandal today.

Here’s a list of my tools for basting a quilt. A nice container to store them all together in makes for easy transport to my basting spot.

::Basting Tools::

Basting Pins– I’ve run into a load of poor quality basting pins in classes. If you’re going to bother pin basting buy good quality, your quilt top will thank you. Heavier thread count material can also make sharp pins even more important. I prefer the smaller curves ones. They are about 1.5″ long.
Kwik Klip– This little tool helps close pins. I don’t know what my problem was that it took me so long to purchase one of these. If you are going to pin baste this tool is also an essential in your toolbox. Trust me;)
Painter’s Tape– Use this to systematically tape your quilt back right side down to the floor. I work by alternating sides as I tape. Beginning from the midpoint of the sides. Don’t stretch, but it should be flat.
Shears– For getting rid of excess batting. I fold the batting back onto itself and cut away at the fold to an inch or so smaller than my quilt back. This gives me a visual to run my quilting off the quilt top and secure it into the backing.
Snips– To rid quilt of stray threads.
Lint Roller– Don’t forget about the back. If the quilt has been handled a lot the back will have longer stray threads. It generally isn’t even a problem, but if I have a light color on the front and a dark thread gets quilted behind it it will show through. I find this annoying after putting so much work into perfection.

This is by no means a concise tutorial on all aspects of making a quilt sandwich or basting, but I’ll fill in the blanks at some later dates.

I also am a true believer that there is no need to reinvent the wheel, so I’ve pinned a Whole Cloth and a Quilt It Pinboard with a load of great tutorials on quilt finishing such as basting, quilting and binding that wonderful people have put together for wonderful you;)

Any tools you can’t live without?

Happy Week Peeps;) I’m off to quilt and fold a mountain of laundry.

Night Owl Quilt Finish

March 30, 2015 By Katie

I’m here to show you today is my Night Owl Quilt.

At one of my lectures this week I got a bunch of questions from an attendee about my Night Owl Quilt. Typically I can send someone the link from my “Quilts” page where I post all of my finishes when they want photos.

Night Owl Quilt was MIA from that page.

So as I ran out the door for Roan’s field trip I thought to grab it and my camera for photos on the morning ferry commute and make use of my minions.

The design is a pattern called Supernova that is published in our book Quilting Modern.

I think quilters are drawn to reproducing this quilt pattern due to its simplicity of technique and construction. I come across its remake online more than any other quilt in the book.

The softness quality is exactly balanced for me on this quilt. Soft colors, soft Essex, wool batting, Osnaburgh on the back, and just enough density of an organic quilting pattern all add up to perfect.

The only thing I wish I would have added are the spin-offs into the background. There’s always something;)

I really love how the design allows you to play with just about any fabrics you’re in love with, including novelty if that’s your thing. I’ve always been drawn to this Alexander Henry owl print and used it as my starting point, layered fabrics from stash as I built out.

Quilting swirls=Starry Night.

I love these colors. For some reason I’m smitten with the binding pick on this one. Something about the small scale tone on tone and the color of this fabric attracts me to hoarding it. You can try to find it, but I’m pretty sure I bought it all so you couldn’t;)

There it is, Night Owl Quilt has landed on my Quilt page!

If anyone has suggestions of a graphic designer that does logos I’m in the market. Please only someone that has a real business, with a questionnaire to get us on the same page with design and fresh looking portfolio;)

Happy Monday Peeps!

::Week In Review::

March 17, 2015 By Katie

I was rather nostalgic traveling to Victoria last week to talk and explore all things quilty with my hosts the Victoria Quilters’ Guild and some members of the Victoria MQG. Jefe worked on the Coho ferry between Port Angeles and Victoria for many years and Roan and I would occasionally go see him on board.

When we docked in Victoria this image of Roan pretending he was waving to all the fine people of Victoria popped into my head.

And reading in the wheel house.

It was a happy image to start my trip with.

I can never say enough about the hospitality of guilds and The Victoria Quilters’ Guild was exceptional;) It was marked with wonderful conversations, amazing creativity in workshops, and learning experiences. All wrapped up with a little “quilt fluffing” at the border.

My Victoria friend Jo-Anne drew me this Zentangle as a souvenir of the trip. The hair, boots, quilts, the “A” and socks…the whole thing is perfect. This is getting framed and going in the studio.

Big thanks to my friend Marianne of The Quilting Edge and Jo-Anne for entertaining and feeding me. So fun to hang out away from home and feel so happy and comfortable with good friends.

I travelled home Friday, taught again Saturday and regrouped Sunday and today so I can start it all over again tomorrow.

While I was gone amazingness happened in the studio. Jefe completed the electric, as well as hung and wired the lights. He put in the windows quite some time ago. Hunting for a door with windows and flooring is next.

I didn’t really want a closet, just good functional storage, so he build me a nook that holds two of these shelves to house my fabric. I’ll try to keep my fabric collection limited to that;) Now that I think about the niche I wanted at the top, that will house fabric dust and hopefully some rolled quilts. Originally the side niches were going to be walled to hide some structural stuff, but he made storage room there for me too.

This whole wall will be design wall. Everyone needs a padded room;) I figure when students come I can roll laminated backed design walls down over whatever I’m working on to provide them with their own space.

Jefe thought of things I never would have thought of, like being able to open the door and step in onto a platform rather than straight down some stairs. This corner I envision a little food/tea/coffee station.

I’m finding that I need things complete before I can envision a practical and functional set up. Luckily I’ve had a lot of opportunities to work in unique spaces and know what works and doesn’t work for me.

Of course I’m collecting my Studio/Garudio Pinboard, but I would love suggestions if anyone has any in making the space more efficient, what they couldn’t live without, etc…

I’m loaded up again for my week.

Happy Monday Peeps. I managed to post.

Have a great week;)

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Thursday’s Improvisational Curves class is full, but if you were wait listed or just interested you can contact me (sewkatiedid@gmail.com) to attend another workshop on Curves this Saturday with the Mukilteo Lighthouse Quilters’ Guild.

March Open Quilt Studio is full, but there are a couple spots in my monthly Medallion/Magic Numbers Workshop and one spot in my Strip Piecing Workshop on the 24th.

We’ll hold our last Open Quilt Studio at Island Quilter on Sunday, March 29th until they find their new space. Keep current by following their Facebook page.

Diving Geese Quilt

March 9, 2015 By Katie

This year was a skip year for me at Quiltcon, but several of my quilts made the show.

Including Diving Geese. It was a last minute thought to enter it.

The process of designing and piecing the quilt seemed easy compared to the task of quilting all that negative space.

My thought was a sun-like concentric circle starting up in the top right corner, but actually sitting down to do it was, well…not happening.

So when in doubt consult a friend and a professional;)

Enter Krista Withers.

Amazing artist, long arm quilter, teacher, and FRIEND (MG;). Krista and I share a lot in common besides quilting and are even jokingly the only two members of our own secret society, which obviously I can’t tell you about:)

Krista brings a quilt top to a whole new level with her signature style of quilting.

AND she won 1st place in Machine Quilting!

It’s no surprise. It’s amazing.

My only request was some ‘ghost geese,’

and we had good laugh over the unintentional (or maybe) subliminal Star Trek symbol.

I polished it off with a narrow faux binding to give it a little bit of a frame with out the distraction of a colored binding or the flat edge of additional background fabric. It’s soft and lovely.

This is not our first collaboration merging design and quilting. When it comes to negative space I call on Krista.

(photo by Rendy Tucker Photography)

Krista quilted my Scattered Remake.

Plus the first,

and second Opposing Triangles.

And my Seattle Lone Star Quilt.

You can see more detail of Krista’s quilting in our other work together by following the links.

I’m off to lecture and teach this week in Victoria B.C. for The Victoria Quilter’s Guild (information on that here if you want to join in). I really enjoyed looking through their event lists and seeing how open they are too inviting ALL types of quilters into their world. I’m sure I’ll learn a lot in the days I spend with them.

Have a great week peeps;)

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~~Full FYI (1) spots in Saturday’s paper piecing workshop.~~

New York Beauty Pillow

February 16, 2015 By Katie

Paper piecing workshop development and sample made, CHECK! And totally drool worthy if I don’t say so myself.

The Foundations of Paper Piecing Workshop is listed if you find yourself with some spare time on March 14th.

A New York Beauty block has been on the bucket list F-O-R-E-V-E-R.

I bought just enough new make me happy fabrics and combined them with some old to create a new to me color way. It seemed to just come together on the design wall so effortlessly. As usual it matches nothing in my house.

The white/creams I pulled from the scrap bins. There’s even some flannel in there.

It ended up that neither the shot cotton and the flannel on the front, nor the voile on the back created the headaches I imagined.

I crosshatched it in a lightly variegated lilac thread. This easy off the edge quilting design has the kind of impact makes me happy. Off course all quilting minds of Seattle that I saw last week were consulted;)

I almost put the voile back into the stash.

It’s one of those fabrics I have to force myself to cut into if I had curtains in mind five years ago. There’s still that hope of getting to that alive;) The decision was a good one, it pairs perfectly with the front.

If you’re headed to Quiltcon please go say hi to my quilts. There are two on exhibit and I just finished up this one here for display there in Island Quilter’s booth.

It will look a little bit more lively than it does it this taken at midnight photo.

This quilt thoroughly falls under the “it doesn’t have to be perfect to love it” category and I considered not sending it due to some obvious struggles I had quilting it, but then I reminded myself that perfection isn’t what it’s all about.

Happy week peeps. I hope it’s a good one;)

:: Somewhat Circular Hex Quilt ::

February 9, 2015 By Katie

You’re probably thinking,

“When will she ever finish that quilt already?”

And I’m with ya.

I’ve had a very genuine desire since the beginning of the year to clean up and clear out projects. A noticeable dent has been made in the pile and though there is still plenty of the unfinished, the process has been a good steady pace. Having quilts at each stage of the making process allows my attention to wander to what ever is in the rotation because it ALL needs to get done.

And bloody hell, Somewhat Circular Hex is D-O-N-E!

All inspired by the Alexander Henry Kokeshi doll fabric, then onto the color way this little Kokeshi doll/bank sported and certainly the Japanese art that I grew up with.

I love how the Essex background forms another Hexagon. Let’s pretend I planned that;)

Extreme binding auditions happened and this Denyse Schmidt standby won.

It just popped the other black prints.

I’m sticking with the use what you have stashed when it comes to backings program. Simple Simon on this one.

It held the diamond grid quilting texture well, as did the Essex on the front.

My seam widths annoyed me enough that I finally took action and had my Juki walking foot replaced. Juki is sitting on a quilting goldmine if they would step up and add all the measurement markers and width to their walking foot that Bernina has in my opinion.

Well and crap, then this happened;) But starting new projects is part of the process. You can see the other hexagons by machine I’ve done here and here.

Happy Monday Peeps!

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::Working The Pile::

February 9, 2015 By Katie

You’re probably thinking,

“When will she ever finish that quilt already?”

And I’m with ya.

And bloody hell, Somewhat Circular Hex is D-O-N-E!

All inspired by the Alexander Henry Kokeshi doll fabric, then onto the color way this little Kokeshi doll/bank sported and certainly the Japanese art that I grew up with.

I love how the Essex background forms another Hexagon. Let’s pretend I planned that;)

Extreme binding auditions happened and this Denyse Schmidt standby won.

It just popped the other black prints.

I’m sticking with the use what you have stashed when it comes to backings program. Simple Simon on this one.

It held the diamond grid quilting texture well, as did the Essex on the front.

Well and crap, then this happened;) But starting new projects is part of the process. You can see the other hexagons by machine I’ve done here and here.

Happy Monday Peeps!

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::Throwing Star Pillow::

February 2, 2015 By Katie

That leftovers thing happened again. Hexes turned into triangles, and now I have another shape to show as an example in my triangle workshop with a hexagon shape center to boot!

The stars turned out pretty wee by the time I cut them from the left over hexes.

The precision I’m pretty happy with, no paper piecing involved for those of you that asked, just 60 degree triangle piecing.

I floated them in Essex Linen.

These prints are favorites and deserved some limelight.

The diamond shape the quilting forms was simple enough to execute.

And it matches the pillows on my couch;)

Finished off with my Invisible Zipper Tutorial.

The weather couldn’t be any more perfect for quilting and if my child’s mood this morning is any indication of how most of Seattle is feeling today I think I’ll make the best of it and stay home to sew.

Chin up Seattle.

Happy Monday;)

:: Double-Trouble Take Two Quilt ::

January 26, 2015 By Katie

As I’m making one quilt I generally have block cast-offs and another design lay out evolves. That’s just what happened with the leftovers from the Scrappalicous Double-Trouble Quilt I made a while back.

What I call the Double-Trouble block is a half-square-triangle with an improv Stitch and Flip triangle on one side. Merging the two triangle techniques creates a block that is both controlled and chaotic. The Swirling Medallion quilt we made in Quilting Modern has the directions for the Stitch and Flips and my tutorial for hst is combined with my value quilt tutorial.

This time around I thought I’d try out the squares by turning what I had on point and giving them some space to breath. I love the scrappy controlled sets.

I tried my best to create the whole quilt, even the background with scraps. There’s a mix of flannel, muslin, and other neutrals that I used for landing the improv triangles. Anything goes for the triangles, voile, flannel, home decor and corduroy are all present.

I failed on using left overs for the binding. This small scale print from Alexander Henry’s Farmdale line was perfect.

I could have adjusted my neutral squares in some places with a larger size, but keeping everything to 3 1/2″ squares created more texture and depth.

The backing is another old Alexander Henry. Shocking I know.

One of my goals this year is to have my backings consume cast offs from the front and fabric from stash. This challenge so far has led to creating some backs that I’m rather smitten with. Unfortunately I don’t have a current full shot to show you what I’m talking about.

The quilt hangs at Island Quilter on Vashon Island for the month of January with other lovelies made by my peeps in the Seattle Modern Quilt Guild. Go take a ferry trip!

Happy Monday Peeps!

::Double-Trouble Take Two::

January 26, 2015 By Katie

This time around I thought I’d try out the squares by turning what I had on point and giving them some space to breath. I love the scrappy controlled sets.

I failed on using left overs for the binding. This small scale print from Alexander Henry’s Farmdale line was perfect.

I could have adjusted my neutral squares in some places with a larger size, but keeping everything to 3 1/2″ squares created more texture and depth.

The backing is another old Alexander Henry. Shocking I know.

The quilt hangs at Island Quilter on Vashon Island for the month of January with other lovelies made by my peeps in the Seattle Modern Quilt Guild. Go take a ferry trip!

Happy Monday Peeps!

::Somewhat Circular Hex::

January 23, 2015 By Katie

I didn’t manage to get a good full shot of my Somewhat Circular Hexagon quilt before bolting out the door to teach. I had to move it out since I wanted it to be hanging in the shop as a new sample for next Thursday’s Hexagons By Machine workshop. There are openings in this class if you are curious about the methods of strip cutting hexagons and piecing them by machine.

I’ll be sure to get some photos of it next week and post them. I’ve got my eye on some huge floor pillows that want this design on them. You know I like pillows.

Somewhat Circular is my second quilt finish for 2015, I think this quilt doubles what quilts I produced in 2014. My first was my Double-Trouble quilt hanging at the Seattle Modern Quilt Guild’s exhibit opening at Island Quilter. I’ll be on the island Sunday for an Open Quilting Studio at IQ and hope to snap some pictures of it to share. Anyone’s welcome to come work on projects and check out the guild’s quilts.

The binding was a hard pick on this one, but the black print worked great with the backing.

As you can see there are a few lines of quilting still needing to be removed and some to be added in, but the color way is spot on and the Essex linen really works with the black background fabrics.

I used this quilt to photo my Cutting Corners Binding Tutorial this week if you missed it.

It’s a beautiful Seattle day to stay inside and sew (and avoid laundry;).

Happy Friday Peeps!

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P.S.

I had a cancellation and now how one slot left in my Improv Log Cabin Workshop on Tuesday. Come play!

Cutting Corners Binding Technique

January 20, 2015 By Katie

I posted a photo on my Instagram the other day and a comment was made about how I stitch the corners of my binding. Years ago I noticed my mom used it on a quilt and I just messed with it until it was second nature for me. I’m sure the method has a name. I’ll call it the Cutting Corners binding technique.

I use a ladder stitch to bind my quilts and if you need some direction on that Turning Turning’s blog has a great tutorial.

1) As I approach a corner I fold the corner binding towards the middle of the quilt and bring the binding’s folded edges on the right and left sides together at the inside corner so that they just touch.

Secure where the right and left sides come together with a clip.

The goal is to aim for the right and left fold of the binding to come together at an equal measurement and create 90 angle at the corner. Binding clips on either side of the corner can help even things out.

2) When I approach the corner I take the needle into the quilt back and bring it out through the binding’s corner fold. It might be easier to do the next step before pulling the needle through.

3) Grab with your needle the opposing folded corner of binding and if things are looking even pull your needle through.

These two points where the needle is pictured above is where you will complete some tacking stitches.

4) Once you feel it’s got enough stitches to be secure, take your needle into the right side and through into the quilt backing, coming out into the fold of the binding. Continue with the ladder stitch.

It should look all nice and square from the front. I’ve never had any issues with it coming untucked. Anyone know of the name of this technique?

Let me know if you have any questions.

Poof, Somewhat Circular Hex is another sample for my Hexagons by Machine workshop next week;) Now I need to get a post up on it.

Happy Tuesday. I’m off to get my tax crap together, exciting stuff Deb;)

« Previous Page

::Tools For a Quilt Sandwich::

Night Owl Quilt Finish

::Week In Review::

Diving Geese Quilt

New York Beauty Pillow

:: Somewhat Circular Hex Quilt ::

::Working The Pile::

::Throwing Star Pillow::

:: Double-Trouble Take Two Quilt ::

::Double-Trouble Take Two::

::Somewhat Circular Hex::

Cutting Corners Binding Technique

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